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Wednesday, October 01, 2025

Q & A: Trans men and urination

All gender bathroom

Q & AQ: What do trans men do to pee?

A: Trans men may have different approaches to peeing, depending on their individual preferences, stage of transition, and comfort. Here are some common methods:

1. Sitting to Pee

  • Many trans men, especially those who have not undergone genital surgery, choose to sit while peeing. This is the same method used by most people assigned female at birth.

2. Stand-to-Pee (STP) Devices

  • Some trans men use Stand-to-Pee devices, also known as STP devices. These are specially designed tools that allow someone to pee while standing. They can be made from silicone, plastic, or other materials, and come in various shapes and sizes to fit the user's needs.

3. Genital Surgery

  • Some trans men opt for gender-affirming surgeries such as metoidioplasty or phalloplasty. These surgeries can create a penis and, in some cases, enable the individual to pee while standing without the need for an STP device.

4. Pee Funnels

  • Pee funnels are similar to STP devices and allow for standing urination. They are often more portable and may be used in public restrooms or when traveling.

5. Adjusting Bathroom Habits

  • Some trans men may adjust their bathroom habits based on comfort, privacy, and the availability of facilities that match their needs. This might include choosing specific restrooms or finding private stalls.

Each trans man has his own preferences and comfort levels when it comes to peeing, and these can evolve over time as he progresses through his transition.

Source: Some or all of the content was generated using an AI language model

Why microwave popcorn is bad for you

Inside a microwave popcorn bag

Microwave popcorn is often considered less healthy for several reasons, primarily due to the ingredients used in the popcorn bags and the potential health risks associated with certain additives. The image above is what the inside of a microwave popcorn bag looks like. Here are some reasons why microwave popcorn might be considered less healthy:

  1. Artificial Additives: Microwave popcorn bags often contain a lining that may include perfluorooctanoic acid (PFOA), a chemical that has been linked to health issues. Additionally, many commercial microwave popcorn brands include artificial flavours, colours, and preservatives, which may not be the healthiest choices.

  2. Trans Fats: Some microwave popcorn brands use partially hydrogenated oils, which can contain trans fats. Trans fats have been associated with an increased risk of heart disease and other health problems. While many companies have reduced or eliminated trans fats in recent years, it's essential to check the ingredient list.

  3. Sodium Content: Many microwave popcorn varieties are high in sodium, which can contribute to an increased risk of high blood pressure and other cardiovascular issues. Excessive sodium intake is a common concern in processed and packaged foods.

  4. Diacetyl: In the past, some microwave popcorn brands used diacetyl, a chemical that gives butter-flavoured products their taste. Prolonged exposure to diacetyl has been associated with respiratory issues, particularly in workers at popcorn manufacturing plants. However, many companies have now phased out the use of diacetyl due to safety concerns.

  5. Calorie and Fat Content: While popcorn itself can be a healthy whole grain snack when prepared without excessive added fats and salts, some microwave popcorn varieties are loaded with extra calories, saturated fats, and sugars, making them less healthy options.

To make a healthier choice, you can consider air-popping popcorn at home and controlling the ingredients you add. This way, you can avoid artificial additives, control the amount of salt and fats, and enjoy a healthier snack.

Source: Some or all of the content was generated using an AI language model

Q & A: Ink colour

Fountain Pen

Q & AQ: What does the colour of ink your pen has say about you?

A: The colour of ink you use in your pen doesn’t scientifically reveal your personality, but people often make associations with colours, and the choice can reflect mood, intention, or even subconscious preference. Here are some common interpretations:

  • Blue ink – Often linked to reliability, calmness, and professionalism. It’s the most widely accepted colour for everyday writing, suggesting you’re practical and traditional.

  • Black ink – Seen as formal, authoritative, and serious. People who prefer black might value structure, order, and professionalism.

  • Red ink – Strong, bold, and attention-grabbing. Red can suggest energy, confidence, or assertiveness, but it can also feel critical (since it’s often used for corrections).

  • Green ink – Sometimes associated with creativity, uniqueness, and unconventional thinking. In some contexts, it suggests balance and growth.

  • Purple ink – Linked to imagination, individuality, and sometimes a flair for the dramatic. It’s less common, so it can suggest someone who wants to stand out.

  • Other colours (orange, pink, turquoise, etc.) – Often used for fun, playfulness, or creative expression. Choosing bright or unusual colours might suggest you like to break routine or show personality in your work.

Of course, sometimes the choice is just practical — what pen was available, or what’s required in a workplace or school.

Source: Some or all of the content was generated using an AI language model

It happened in Ashbrook - Chapter Ten: Ashbrook Sleeps

Flying birdThe fire burned low. Smoke curled through the night sky, carrying the acrid scent of charred stalks and molten metal. Ashbrook was quiet—too quiet. The survivors stumbled back into the streets, bodies scorched, lungs raw from inhaling the smoke. Their eyes scanned the horizon, expecting the Tall One to return, expecting the rift to widen again.

But for the moment, nothing moved.

Parents gathered their children, though most were already changed. Emily, Caleb, and Timothy—all silver-eyed and distant—sat silently, humming under their breath. Some tried to speak to them; the words fell into emptiness. It was as if the children were no longer fully present, as though a part of them had slipped away during the chaos at the crater.

The sheriff, his face smeared with soot and blood, fell to his knees in the middle of Main Street. “Is it over?” he asked, voice cracking. His hands shook uncontrollably.

The doctor shook his head. “I don’t know. That seed… it burned, yes. But what if it’s only part of him? What if the fire didn’t destroy him, just forced him to… move?”

A hush fell over the survivors. Their eyes flicked to the darkened cornfields, where the stalks were strangely still, almost reverent.

Then came a faint shimmer.

It was subtle at first, a ripple of light just beyond the treeline. Not the brilliance of the rift, not the white-hot glow of Timothy’s body, but something quieter. Like the reflection of the sun on water—beautiful and wrong.

Emily tilted her head, her silver eyes locking onto the shimmer. “He’s watching,” she said, flatly. “He never left.”

The survivors froze. Not the words, not the tone—they all understood. The Tall One might not be visible, might not have a form to strike against, but he was still here. Always here.

Some whispered that he had left a seed behind in the crater. Others feared the children themselves were conduits, carrying his presence wherever they went. No one dared test it. Every shadow was a threat. Every whisper of wind through the corn sent shivers down their spines.

The streets of Ashbrook remained empty that night. Fires smouldered in the ruined fields, embers casting long, twitching shadows that danced like hands over the cracked pavement. The survivors barricaded themselves indoors, yet no lock, no wall, no prayer could stop the sense that they were being watched.

The sheriff lit a candle and placed it by the window. Its flicker revealed shapes in the darkness—children’s figures lingering near doorways, always just out of reach, eyes glowing faintly. He rubbed his eyes, tried to convince himself it was a trick of the smoke and the firelight. But when he blinked, the figures had not moved.

A low hum began again. Not strong, not unbearable, but present—a reminder. It wasn’t coming from the sky this time. It was coming from everywhere: the fields, the streets, the empty houses. The survivors covered their ears, but it penetrated anyway, pressing into their bones, curling in their stomachs.

Emily sat cross-legged by the candle, hands folded in her lap. “He waits,” she whispered. “Always. He only blooms when you forget him, when you panic, when you feed him fear.”

The sheriff stared at her, understanding dawning like ice in his veins. “Then… we can never relax. We can never forget.”

She nodded. “We are the reminder now. And he is patient.”

Outside, the shimmer pulsed once, then faded. The fields remained still. The ruined water tower lay in smouldering ruins, its twisted metal skeleton bent against the earth. Yet the wind carried a strange vibration, a faint echo of the hum, like a heartbeat that belonged to no living thing.

In the distance, a single child—timid, small, unknown—stepped into the street. The silver glow of their eyes caught the candlelight. They turned toward the survivors and smiled.

It wasn’t a child’s smile.

It was something older. Something patient. Something that had waited a long time.

The sheriff swallowed hard and reached for his rifle. But he did not fire.

The child’s smile widened. And then, without a sound, they vanished into the shadows.

Ashbrook slept that night. But it was not peaceful. Every wind through the cornfields whispered of waiting. Every shadow stretched just a little too long. And somewhere, beyond the reach of light or fire, the Tall One watched.

The town would endure, if only because it had no choice. But it would never be free. Not entirely. Not ever.

And in the silence, the faintest hum continued.


Epilogue: The Harvest Never Ends

Months passed, or perhaps years—time had lost its meaning in Ashbrook. The survivors remained, their faces gaunt, eyes hollow, moving like shadows through streets lined with the remnants of their former lives. Children had returned, in part, but they were not the children the adults had once known. Their silver eyes flickered with intelligence far older than their years, and their smiles carried secrets too vast to speak aloud.

The town had become a monument to endurance rather than hope. Crops were never planted again; the fields remained fallow, stalks left to rot where the Tall One had first claimed them. The ruined water tower lay half-buried, twisted metal corroding under the relentless weather. Yet even in decay, something pulsed faintly within it—an echo of the seed, a heartbeat from the dark.

The survivors whispered to each other in low tones, always careful. Every sound might be a summons. Every glance toward the cornfields might be observed. They had learned that he did not need to appear to dominate them; presence alone was enough. The Tall One was no longer just in Ashbrook. He was inside it, inside them, inside the children who walked silently among the streets at night.

No one dared speak of leaving. The roads remained open, but the wind carried a hum too low for ears to detect, guiding those who might wander too far back toward the town, back into his reach. Escape had become an illusion. Ashbrook existed in a bubble where fear, memory, and obedience intertwined.

The children—now more than children—stood at the edges of windows and doorways each night, eyes fixed on horizons where nothing moved yet everything shimmered. Some nights, the survivors swore the hum returned in waves, louder, closer, brushing against their thoughts. Other nights, silence descended, and they feared it most of all. Silence, they knew, was not peace—it was waiting.

The sheriff, older and broken, sat by the remnants of his fireplace each night, rifle across his lap, watching the shadows stretch. He had seen Timothy’s smile in every flicker of the dark, Emily’s distant gaze in every child who passed, Caleb’s convulsions in the way the wind twisted through the trees. They were reminders, conduits of a being that could not be destroyed.

And somewhere—beyond the reach of sight, beyond the grasp of fire, beyond the confines of memory—the Tall One waited. Patient. Endless. Consuming. Blooming.

Ashbrook was quiet, for now. But the hum had never stopped. It never would.

The Harvest would come again.

And when it did, no one would be safe.

Source: Some or all of the content was generated using an AI language model