The Hollow Hunger Chapter 8 - The Sampling

The invitation was the worst part.

Not because it was spoken, or visible, or even intentional in any human sense—but because all three of them felt it register at once, like a private thought that had somehow been broadcast back to them from the world itself.

Maya pulled Evan backward instinctively. “No. No, no—don’t go toward it.”

But Evan wasn’t moving forward.

He was noticing something else.

The man across the street had not advanced again. He was still there, still incomplete, still behaving like a placeholder for something larger. Yet the space between them… the space itself… had changed tone.

Jared stared at the street. “It feels closer.”

Evan nodded slowly. “Not closer. More continuous.”

That word made Maya look at him sharply. “Stop talking like that.”

But Evan didn’t stop. Because the pattern was becoming harder to ignore, and worse—harder to resist articulating.

“It’s not chasing us anymore,” he said. “It’s resolving us into a single consistent state.”

Jared’s voice rose slightly. “And that means what, exactly?”

Evan finally looked at him. “It means separation is no longer stable.”

A car passed at the far end of the intersection.

Or it almost did.

It appeared halfway through motion, already mid-trajectory, then corrected itself as if reality had re-evaluated its entry conditions. The sound came a fraction too late, like an afterthought.

Maya stepped back. “That’s not normal.”

“No,” Evan agreed. “It’s converging.”

The word hung there, heavy.

The man across the street lifted his hand again.

And this time, the world responded more quickly.

Street markings sharpened. Building edges clarified. Even the air seemed to lose its ambiguity, becoming cleaner, more defined, more obedient.

Jared shook his head. “Why does it feel like things are getting… better?”

Maya turned to him sharply. “This is not better.”

“I know,” he snapped. “But it feels like it thinks it is.”

Evan felt it too now. That subtle pressure of correction. Like reality had found an inconsistency and was gently, patiently removing it.

The man took another step.

And the street between them became perfectly symmetrical.

That was when Evan understood something that made his breath catch.

“It doesn’t see us as individuals,” he said quietly.

Maya frowned. “What?”

“It sees us as deviations,” Evan continued. “Noise inside a system trying to stabilise.”

Jared laughed once, short and sharp. “So we’re glitches.”

Evan didn’t correct him.

Because that was too close to the truth.

The man’s head tilted slightly.

And suddenly, all three of them felt something shift—not outside them, but within their perception of themselves. A subtle reorganisation of identity. Like something was testing whether their boundaries still held.

Maya staggered. “Did you feel that?”

Jared grabbed his head. “Yeah. What the hell was that?”

Evan’s voice tightened. “It’s sampling us.”

That made Maya freeze. “Sampling?”

“Not physically,” Evan said quickly. “Conceptually. It’s trying to reduce what we are into something it can stabilise.”

The man took another step.

Now he was halfway across the street without having crossed it in any meaningful sequence. Distance was no longer a process. It was an update.

The air tightened.

Not pressure. Not force.

Resolution.

Jared’s voice broke slightly. “Evan… I don’t think we can run from this.”

Evan didn’t answer immediately. He was watching the man carefully now, noticing the inconsistencies shrinking. The world smoothing itself around the entity’s presence.

Finally, Evan said, “Running is irrelevant now.”

Maya stared at him. “Then what do we do?”

Evan hesitated.

Because the answer was forming in a place he didn’t like looking at.

“We stop resisting distinction.”

Jared blinked. “That sounds like surrender.”

“It is,” Evan said softly. “Or adaptation.”

The man was close now. Too close for the street to feel like a barrier at all.

Maya’s voice cracked. “Evan, no.”

But Evan wasn’t looking at the man anymore.

He was looking at the space between them.

And noticing, for the first time, that the space didn’t feel hostile.

It felt… curious.

The man lowered his hand.

And the world went still.

Not frozen.

Completed.

For a long moment, nothing moved.

And then Evan took a slow breath—and stepped forward.

Source: Some or all of the content was generated using an AI language model

FYI - The Concorde

The Concorde, while cruising at its typical Mach 2 (twice the speed of sound) speed, was generally flying at around half throttle. This was due to the aircraft's design and the limitations of its engines at sustained supersonic speeds. The Concorde's engines, Rolls-Royce/Snecma Olympus 593 turbojets, were highly advanced for their time but had their constraints.

1. Half Throttle at Mach 2:

• When the Concorde was cruising at Mach 2, its engines were typically operating at around half power or less. This was a balance between the need for fuel efficiency and engine performance at supersonic speeds.

2. Engine Limitations:

• The Concorde's engines were optimized for supersonic flight, but they had limitations in terms of the heat generated at higher speeds.
• Sustained flight at maximum throttle and speeds significantly above Mach 2 could lead to overheating and potential damage to the engines.

3. Theoretical Top Speed:

• Theoretically, the Concorde was capable of speeds beyond Mach 2. However, pushing the aircraft to its absolute limits would have been impractical and potentially risky.
• Estimates suggest that the Concorde could have reached speeds up to around Mach 2.2 or slightly higher under ideal conditions.

Factors Affecting Top Speed:

• Aerodynamic Efficiency: The Concorde's design was optimized for supersonic flight, with its delta wing shape and streamlined fuselage reducing drag. This helped it achieve and maintain speeds of Mach 2.

• Engine Performance: The Rolls-Royce/Snecma Olympus engines were incredibly powerful, but they also had their limits. Pushing the engines to higher speeds would have required significant modifications and possibly a redesign.

• Fuel Efficiency: Flying faster requires more fuel, and the Concorde was already a fuel-hungry aircraft. Increasing speed would have reduced its range and made flights even more expensive.

• Structural Integrity: The airframe and materials used in the Concorde's construction were designed for speeds up to Mach 2. Going significantly faster could have placed stress on the aircraft's structure.

Conclusion:

While the Concorde was a marvel of engineering and capable of flying at twice the speed of sound, its top speed was largely limited by its engines, heat management, and practical considerations. Flying at Mach 2 was already a significant achievement, and pushing beyond that would have required extensive modifications and a reevaluation of the aircraft's design and capabilities.

The Concorde was a remarkable aircraft that captured the imagination of the world, but its operational limits were set to balance speed, efficiency, and safety. Flying at Mach 2 was its sweet spot, allowing for relatively efficient supersonic travel while maintaining the integrity of its engines and structure.

Source: Some or all of the content was generated using an AI language model

The balloon

A teacher gave a balloon to each student, who had to inflate it, write their name on it, and throw it into the corridor. The students, buzzing with excitement, eagerly took their balloons and followed the instructions. The corridor soon filled with a sea of colourful balloons, each one bearing the name of a student in the class.

After the last balloon had been tossed into the corridor, the teacher gathered everyone at the classroom door and made an unexpected announcement.

“Now, I want each of you to find the balloon with your name on it,” the teacher said. “You have five minutes. Go!”

The students rushed into the corridor, laughing and shouting as they scrambled to find their balloon. They pushed through the mass of bouncing balloons, their laughter gradually turning into frustrated murmurs. Minutes ticked by, and it became clear that finding their own balloon in the chaotic jumble was nearly impossible.

After five minutes, the teacher called the students back into the classroom. Only a few had managed to find their own balloon. The teacher then spoke again, this time with a different instruction.

“Now, I want you to pick up the nearest balloon and give it to the person whose name is on it,” the teacher said.

The students began picking up balloons, calling out names, and handing them to their classmates. In a matter of minutes, everyone had their own balloon in hand, and the room was filled with smiling faces and a sense of accomplishment.

The teacher gathered the students around and said, “There’s an important lesson here. When we each try to find our own balloon, it’s chaotic and difficult. But when we help each other, everyone finds what they’re looking for much more easily. This is a metaphor for life. When we only look out for ourselves, it can be hard to find happiness. But when we help others find theirs, we also find our own.”

Source: Some or all of the content was generated using an AI language model

"Back to the Future"

"Back to the Future" is a beloved film franchise that has left an indelible mark on popular culture. Here are three surprising or shocking facts about the movies:

1. Eric Stoltz was originally cast as Marty McFly:

• Before Michael J. Fox landed the iconic role of Marty McFly, Eric Stoltz was cast and filmed several scenes for the first film.
• After five weeks of filming, the filmmakers decided to make a change, feeling that Stoltz's portrayal was not quite right for the comedic tone they wanted.
• Michael J. Fox was initially unable to take the role due to his commitments to the TV show "Family Ties," but once the show's producers allowed him to work on the film, the decision was made to recast Marty McFly.

2. The DeLorean Time Machine was nearly a refrigerator:

• The iconic DeLorean Time Machine almost wasn't a car at all. The original idea was to have a time-traveling refrigerator as the vehicle.
• The idea was eventually scrapped due to concerns about children potentially getting locked inside refrigerators while playing.
• The filmmakers then settled on using a car, and the DeLorean DMC-12, with its distinctive gull-wing doors, became the famous time machine we know today.

3. The movie helped save the clock tower in real life:

• In "Back to the Future," the Hill Valley clock tower is a central element of the story, with Doc Brown's plan to harness the lightning strike to power the DeLorean's flux capacitor.
• The clock tower used for filming was a real clock tower in California. By the time of filming, the clock tower had fallen into disrepair and was scheduled for demolition.
• After the success of the film, fans rallied to save the clock tower, and it was restored to its former glory.
• The clock tower still stands today as a popular tourist attraction, thanks in part to the film's impact.

These facts show the interesting and unexpected stories behind the making of "Back to the Future" and its lasting impact on both cinema and real-world landmarks.

Source: Some or all of the content was generated using an AI language model

Little Red Riding Hood

The story most people know as Little Red Riding Hood is actually a softened, cleaned-up version of a much darker European folk tale 🐺🩸

The earliest known written version came from Charles Perrault in 1697. In his version, there is no happy ending at all. The wolf tricks Little Red Riding Hood, eats her grandmother, then eats the girl too. The story ends there. Perrault intended it as a warning to young girls about dangerous men — especially charming strangers.

Later, in the 1800s, Jacob Grimm and Wilhelm Grimm created the more familiar version where a woodsman rescues both grandmother and granddaughter by cutting open the wolf’s stomach. They toned the tale down so it would be more suitable for children.

But the older oral folk versions circulating before either author were even stranger and more disturbing 😶

In some medieval French and Italian tellings:

• The wolf is sometimes a werewolf or ogre rather than an ordinary animal.
• The girl unknowingly eats parts of her grandmother before meeting the wolf.
• The wolf tricks her into removing her clothing piece by piece before getting into bed.
• There is often no rescuer and no survival.

One particularly grim folk variant includes the wolf serving the grandmother’s flesh and blood to the girl while pretending it is dinner. A cat tries to warn her, but she ignores it. Historians believe these versions reflected fears common in isolated rural communities: predators, cannibalism during famine, sexual violence, and the dangers of travelling alone through forests.

The famous red hood itself was not always part of the story. Perrault popularized the red cloak, and many scholars think the colour symbolized danger, sin, maturity, or even the transition from childhood into adulthood.

The tale survived for centuries because it worked on multiple levels:

• a survival warning,
• a cautionary tale about strangers,
• and a symbolic story about innocence confronting evil.

Today, Little Red Riding Hood is usually presented as a children’s story, but its roots are deeply tied to medieval fears and adult themes that were never originally meant to be comforting.

Source: Some or all of the content was generated using an AI language model

FYI - Messing with the timeline

The impact of dropping a modern lighter, or any advanced technology, into a time period before its invention can lead to significant changes in the timeline, depending on various factors. Here's a speculative look at how dropping a lighter 1,000 years ago could potentially influence history:

Immediate Impact:

1. Perceived as a Mystical Object: A lighter, with its ability to produce fire at the push of a button, would likely be seen as a mystical or magical object by people of that time period. This could lead to superstitions and legends surrounding its origin.

2. Use by the Elite or Rulers: Initially, the lighter might fall into the hands of rulers, priests, or other elites. They might use it to impress or control others, further adding to its mystique.

3. Technological Study: Scholars and inventors of the time might study the lighter, trying to understand its mechanisms. This could potentially lead to advancements in understanding combustion and fire-making techniques.

Societal Impact:

1. Acceleration of Fire-Making Knowledge: The knowledge of how the lighter works could potentially accelerate the understanding of fire-making techniques. This could lead to improvements in metalworking, cooking methods, and heating technologies.

2. Changes in Rituals and Ceremonies: The ability to easily produce fire could impact religious rituals, ceremonies, and everyday practices. It might alter the way people perceive and interact with fire, which was already a central element in many cultures.

Technological Progress:

1. Inspiration for New Inventions: The existence of the lighter could inspire inventors to create similar devices or improve upon existing fire-making tools.

2. Impact on Alchemy and Chemistry: The study of the lighter's inner workings could lead to advancements in alchemy and early chemistry. This, in turn, could have ripple effects on medicine, materials science, and more.

Cultural Shifts:

1. Trade and Exploration: The potential for easier fire-making could facilitate trade routes and exploration. It could also impact the development of shipbuilding and navigation.

2. Art and Literature: The presence of such an unusual object could inspire new art forms, stories, and myths. It might become a symbol in literature and folklore.

Possible Consequences:

1. Religious or Political Upheaval: The introduction of a powerful new technology could lead to conflicts over its control or interpretation. This might result in religious or political upheaval.

2. Resistance and Fear: Some people might resist or fear the new technology, viewing it as unnatural or dangerous. This could lead to attempts to suppress or destroy the lighter.

Long-Term Effects:

1. Acceleration of the Industrial Revolution: The knowledge gained from studying the lighter could potentially accelerate the development of technologies that lead to the Industrial Revolution.

2. Changes in Global History: The influence of a small object like a lighter could have far-reaching effects on the course of history, potentially altering the outcomes of wars, the rise and fall of empires, and the spread of ideas and cultures.

While dropping a modern lighter 1,000 years ago is purely speculative, it highlights how even a seemingly small technological advancement can have profound and unpredictable effects on society, culture, and the trajectory of human history.

Source: Some or all of the content was generated using an AI language model

Short Take

The story about Isaac Newton getting hit on the head by an apple is probably exaggerated 🍎

What most historians believe is that Newton really did observe an apple falling from a tree sometime in the 1660s while at his family home in Woolsthorpe Manor. The falling apple helped inspire him to think about gravity — specifically, why objects always fall straight down toward Earth.

However, there’s no solid evidence the apple actually struck him on the head. That detail seems to have been added later because it makes the story more dramatic and memorable.

The account comes largely from Newton himself later in life. His friend William Stukeley wrote that Newton described sitting in a garden and watching an apple fall, which led him to wonder:

Why should that apple always descend perpendicularly to the ground?

That line of thinking eventually contributed to Newton developing the law of universal gravitation — the idea that every object with mass attracts every other object. 🌍

So the short answer is:

• Apple falling from a tree? Probably true.
• Apple smashing Newton on the head? Most likely a myth.

Source: Some or all of the content was generated using an AI language model

The Hollow Hunger - Chapter 7 - Can't run

They stopped running because running stopped meaning anything.

It wasn’t a dramatic decision. There was no moment of surrender or exhaustion where their bodies simply gave out. Instead, it was more like the idea of running gradually lost definition—like a word repeated too many times until it turns into noise and then nothing at all.

Jared was the first to notice.

He slowed near an intersection that looked almost normal, except for the way the traffic lights were cycling in an order that didn’t quite obey expectation. Red, green, amber… then sometimes a colour that wasn’t there a moment before, impossible to name without feeling like you were lying.

“We’re not getting anywhere,” he said.

Maya looked at him sharply. “We are. We just keep moving.”

“That’s not what I mean.” Jared gestured at the street ahead of them. “Look at it.”

Evan already was.

The street didn’t extend so much as repeat. A few storefronts appeared twice in slightly different states of wear, like overlapping drafts of the same reality. A bus stop sign flickered between two names that neither of them recognised as real.

Evan spoke quietly. “It’s compressing the map.”

Maya gave a short, frustrated laugh. “Stop saying things like that. Like it’s a computer or something.”

Evan didn’t look at her. “It is behaving like one.”

That silence again. Heavy, unwilling.

Behind them, the road they had just come from felt uncertain, as if it wasn’t sure whether it still existed when unobserved.

Jared rubbed his face. “So what, we just… what? Stand here until it decides we’re done?”

“No,” Evan said. “We don’t stand. That’s worse.”

Maya frowned. “How is standing worse?”

Evan finally turned to her. His expression was tighter now, controlled in a way that suggested he was trying very hard not to panic.

“Because it learns fastest when we become predictable.”

A wind moved down the street, but it didn’t carry sound the way wind should. It carried something else instead—a faint sense of alignment, like pieces of a puzzle clicking closer together.

Maya noticed it first. “Do you feel that?”

Jared stiffened. “Yeah.”

Evan nodded once. “It’s tightening the model.”

They all felt it then, in their own way. Not pressure exactly, but attention. As if the space around them had stopped multitasking and was now focusing entirely on them.

A streetlight ahead flickered.

Then another.

Then several in sequence, like a thought spreading through a system.

The world was becoming more consistent. More stable. More coherent.

That should have been reassuring.

It wasn’t.

Because coherence felt less like safety and more like conclusion.

Maya whispered, “It’s getting closer again.”

Jared shook his head. “No. We’re not moving. It’s not moving. So what is happening?”

Evan stared at the intersection. “It’s finishing alignment.”

“That’s not an answer,” Jared snapped.

“It is,” Evan said quietly. “Just not a comforting one.”

The first sign was subtle.

A man appeared on the far side of the street.

None of them saw him arrive. He simply existed there, standing still beneath a sign that flickered between readable and blank.

Jared pointed. “Who—”

But Maya grabbed his arm hard enough to cut him off.

Because she saw it too.

The man wasn’t quite right. Not monstrous, not distorted in the obvious sense. Instead, he looked like a version of a person that had been rendered without final approval. His edges were slightly too smooth. His movement, when it came, was delayed by fractions of seconds that didn’t belong in natural motion.

He turned his head toward them.

Not quickly. Not slowly.

Just correctly.

Evan felt something cold settle in his chest. “It’s using a proxy.”

Maya looked at him, horrified. “A what?”

“A stable interface,” Evan said. “Something it can render through.”

The man took a step forward.

And the street behind him changed.

Not dramatically. Not instantly. But enough that buildings subtly rearranged themselves to accommodate his position. The world was adjusting to his presence the way water adjusts around a stone dropped into it.

Jared took a step back. “Nope. Nope, I don’t like that.”

The man raised a hand.

And for a moment, everything paused.

Not frozen—paused. Like reality had hit a checkpoint.

Evan felt it immediately. The sense of observation intensified. Not just from the man, but through him, like something larger was now looking directly at the three of them without needing distance.

Maya’s voice cracked. “Evan… what is it doing?”

Evan swallowed. “It’s reducing uncertainty.”

Jared barked a laugh that sounded close to breaking. “That’s your explanation for all of this?”

“Yes,” Evan said. “It doesn’t need us dead. It needs us defined.”

The man’s hand lowered.

And the streetlights went out.

All of them.

In the sudden darkness, there was a new sensation—like the world had stopped pretending it was incomplete.

Maya grabbed Evan’s sleeve. “We’re still here, right?”

Evan hesitated.

Because the truth was beginning to feel unstable too.

“I think,” he said carefully, “we are becoming harder for it to distinguish.”

Jared’s voice was barely audible. “That sounds bad.”

The man across the street took another step forward.

And this time, the space between them did not behave like distance anymore.

It behaved like an invitation being accepted.

Source: Some or all of the content was generated using an AI language model

Aviation: Why is the Boeing 737's air intake slightly squashed at the bottom

The squashed or flattened shape of the Boeing 737's engine air intake, particularly at the bottom, is a design feature that serves a specific aerodynamic and engineering purpose. Here's an explanation of why this design is implemented:

Engine Performance and Aerodynamics:

1. Nacelle Design: The engine air intake, also known as the nacelle, plays a crucial role in the performance and efficiency of the aircraft's engines. It is designed to efficiently channel air into the engine for combustion.

2. Avoiding Airflow Disturbances: The shape of the nacelle, including the squashed or flattened bottom, is carefully designed to minimize airflow disturbances, especially during takeoff and landing when airflow around the aircraft is critical.

3. Boundary Layer Control: The flattened shape helps to control the boundary layer of air flowing over the nacelle. The boundary layer is the thin layer of air adjacent to the surface of the nacelle where airflow characteristics change due to friction with the surface.

4. Reducing Drag: By carefully shaping the nacelle, engineers can reduce drag, which is resistance to the forward motion of the aircraft. Drag reduction is crucial for improving fuel efficiency and overall performance.

5. Engine Ingestion Protection: The flattened bottom also helps to reduce the likelihood of the engine ingesting foreign object debris (FOD) from runways or taxiways. This is important for the safety and reliability of the engines.

High-Lift Devices:

1. Slats and Krueger Flaps: In addition to the nacelle design, the Boeing 737, like many modern commercial aircraft, uses high-lift devices such as slats and Krueger flaps on the leading edge of the wings. These devices help to increase lift during takeoff and landing.

2. Wing and Engine Integration: The design of the nacelle is also influenced by its integration with the wing. The flattened shape helps to maintain proper airflow over the wing, particularly in the area where the nacelle meets the wing.

Noise Reduction:

1. Jet Noise: The shape of the nacelle also plays a role in reducing noise generated by the jet engines. Carefully designed nacelles can help to direct exhaust gases in a way that reduces noise levels for passengers and people on the ground.

Evolution of Design:

1. Continuous Improvement: The design of the Boeing 737, including its nacelle shape, has evolved over the years through continuous improvement and technological advancements. Each iteration of the aircraft incorporates lessons learned from previous models to enhance performance, efficiency, and safety.

In summary, the squashed or flattened shape of the Boeing 737's engine air intake is a deliberate design feature aimed at improving aerodynamic performance, reducing drag, controlling airflow, protecting the engines from FOD, and minimizing noise. It's a part of the overall engineering and design considerations that go into creating a safe, efficient, and reliable commercial aircraft.

Source: Some or all of the content was generated using an AI language model

Trapped!

The first thing Elias noticed was the silence.

Not the normal kind of silence, but a sealed silence—heavy, compressed, complete. It pressed against his ears like cotton soaked in water. He tried to inhale more deeply and felt his chest scrape against something too close, too solid. That was when the panic arrived fully, like a switch being flipped inside his ribs.

He was lying down.

Not on a bed.

On wood.

Elias lifted his hands, brushing upward until his fingers struck a lid only inches above his face. The sound was dull, final. Wood. Nails. Something that did not move. His breath came faster, fogging the narrow space around him. The air already tasted stale, faintly metallic, like old pennies.

Memory returned in fragments. A gathering. A room too bright. Faces blurred by grief. A drink offered. A handshake. Then nothing cleanly defined after that—only a dragging sensation, like being pulled backward through thick water.

“No,” he whispered, and his voice barely existed.

He struck the lid again, harder. The coffin shuddered but did not yield. Dirt shifted somewhere above him, a distant, muffled avalanche. That sound told him everything: he was not just enclosed. He was buried.

The realization hit with a physical force that made his stomach turn. Soil above him. A layer of earth between him and air, between him and everything that mattered. He could picture it too clearly: the mound, the freshly packed ground, the small ceremony already finished.

Someone had made a mistake. Or worse, someone had not.

Elias began to dig with his bare hands. Wood splintered under his nails. Pain bloomed, sharp and immediate, but it grounded him. He clawed anyway, working at a seam where the lid met the frame. Dust filled his mouth. Every movement felt like borrowing time from a clock that had already stopped.

His lungs tightened. The air was thinning, or maybe fear was stealing it.

He struck again, again, until one nail gave way with a sudden, blessed crack. A sliver of darker darkness appeared above him—no light yet, but possibility.

He screamed then, not in words but in raw sound.

Above, the earth answered with a faint collapse. Soil trickled through the opening. The coffin groaned, protesting years of silence being broken in seconds.

Elias pushed with everything left in him.

And somewhere far above, faint as a heartbeat through stone, he thought he heard movement—someone finally noticing he had never been gone at all.

Source: Some or all of the content was generated using an AI language model

Hitler's toilet

Adolf Hitler's toilet might seem like an unusual topic, but it has garnered attention due to its historical significance and the peculiar circumstances surrounding it.

During World War II, Adolf Hitler had a mobile command headquarters known as the "Führer Headquarters" or "Führerhauptquartiere." One of the most well-known of these headquarters was the "Führerbunker" in Berlin, where Hitler spent the final months of his life.

The Toilets of the Führerbunker:

1. Standard Toilet: In the Führerbunker, Hitler's personal lavatory was not particularly remarkable. It was a standard porcelain toilet, like those found in many homes at the time.

2. Privacy and Security: Hitler was known for his strict privacy and security measures, even in personal matters such as using the bathroom. The Führerbunker was a heavily fortified underground complex designed to protect Hitler and his inner circle from Allied bombing raids.

3. Chemical Toilets: In addition to standard toilets, the Führerbunker also had chemical toilets installed. These toilets used chemicals to break down waste and minimize odors. Given the confined space and the need for discretion, these chemical toilets were likely used for added convenience and security.

The "Golden Toilet" Myth:

There is a persistent myth surrounding Hitler's toilet that claims it was made of solid gold. This myth has been debunked by historians and experts.

The origins of this myth likely stem from a misunderstanding or exaggeration of the lavish lifestyles of some historical figures. While Hitler was known for his opulent tastes in other aspects of life, there is no credible evidence to suggest that his toilet was made of gold.

The Fate of Hitler's Toilets:

After the fall of the Third Reich and the end of World War II, the Führerbunker was demolished. The site was later used for various purposes, and the exact fate of Hitler's personal toilet is not well-documented.

However, artifacts from the Führerbunker, including pieces of furniture, equipment, and personal items, have been preserved in museums and private collections. These items serve as reminders of the dark history of the Nazi regime and its leader.

Controversy and Historical Interest:

While the specifics of Hitler's toilet might seem trivial compared to the larger events of World War II, it is a part of the historical record that sheds light on the daily life and habits of one of history's most infamous figures.

Today, discussions about Hitler's toilet often serve as a reminder of the strange and sometimes mundane aspects of history that can capture the public imagination. However, it's important to approach these topics with a critical eye and separate fact from fiction. In the case of Hitler's toilet, the truth is far less sensational than the myth.

Source: Some or all of the content was generated using an AI language model

FYI - Death Practices

Death has always brought out strange behaviour in people. Some customs are meant to honour the dead, others are rooted in fear, and a few are genuinely unsettling. Across history and cultures, humans have done some very creepy things when someone dies — sometimes because they believed the dead could return, curse the living, or linger between worlds. Here are 20 of the eeriest examples. 👁️⚰️

1. Covering mirrors in the house.
   In many traditions, mirrors are covered after a death because people believed the soul could become trapped inside the reflection. Some thought demons could enter through mirrors during mourning. Walking into a darkened house with every mirror hidden still feels deeply unsettling.
2. Stopping all clocks.
   Victorian families often stopped every clock at the exact moment of death. It symbolized time standing still for the deceased. In abandoned old homes, frozen clocks are often associated with ghost stories because of this practice.
3. Photographing the dead.
   During the 1800s, families commonly posed dead relatives for photographs. Sometimes the corpse was dressed, seated upright, or even posed beside living family members. These “post-mortem photographs” can look horrifyingly lifelike.
4. Placing coins on the eyes.
   Ancient cultures placed coins over the eyes of the dead to pay the ferryman of the underworld. The image of silver coins resting on lifeless eyes has become a permanent horror-movie trope.
5. Holding a wake beside the body.
   The traditional wake began because people feared someone might not actually be dead. Families would sit around the corpse for hours or days, eating, drinking, and watching for signs of movement.
6. Sewing the mouth shut.
   Morticians sometimes sew the mouth closed so the body appears peaceful during funerals. The process itself is disturbing to many people once they learn it happens.
7. Filling bodies with preservatives.
   Modern embalming replaces blood with chemicals to slow decomposition. While it creates a peaceful appearance, the reality behind the process is clinical and eerie.
8. Hair jewellery from the dead.
   Victorians often turned a loved one’s hair into rings, necklaces, or brooches. Some families even framed elaborate artwork made entirely from human hair.
9. Sleeping beside the corpse.
   In older traditions, relatives sometimes slept in the same room as the dead body for several nights. Candles flickering beside a corpse created an atmosphere people associated with spirits and omens.
10. Covering the body with flowers.
    Flowers hide the smell of decay, but they also became symbols of mourning. Entire rooms packed with funeral flowers can feel strangely overwhelming and haunting.
11. Fear of dead people returning.
    Many cultures buried bodies face-down or tied them up because they feared the dead might rise again. Some ancient graves even contain stones shoved into mouths to stop “vampires” from feeding.
12. Death masks.
    Families once made plaster casts directly from a dead person’s face. These masks preserved exact facial features and were displayed in homes. Seeing one can feel disturbingly lifelike.
13. Talking to the dead.
    Some mourners continue speaking aloud to deceased loved ones for years. While comforting for some, it unsettles others who hear conversations with someone no longer alive.
14. Leaving food for spirits.
    In parts of the world, food is left out for the dead to consume spiritually. Ancient people feared hungry ghosts could become angry if ignored.
15. Taking locks of hair.
    Before photography became common, people clipped hair from the deceased as keepsakes. Some still keep these locks in envelopes or lockets generations later.
16. Funeral masks and makeup.
    Morticians use cosmetics to recreate a healthy appearance. Sometimes the transformation is so dramatic the body no longer resembles the real person, creating an uncanny effect.
17. Public mourning clothes.
    Victorians wore black for months or even years after a death. Widows sometimes dressed entirely in black veils, appearing ghostlike in public.
18. Whispering fears around the dead.
    Many people become intensely superstitious near a corpse. Some refuse to touch the body, speak loudly, or even point at it because of ancient fears about spirits lingering nearby.
19. Preserving bodies for display.
    Some cultures preserved famous dead people permanently. Leaders, saints, and religious figures have been displayed for decades or centuries, their bodies eerily intact behind glass.
20. Keeping ashes at home.
    Modern cremation has led many people to keep urns inside their homes. Some even turn ashes into jewellery, tattoos, or vinyl records. The idea of carrying part of a dead person everywhere can feel strangely intimate and unsettling.

Death rituals reveal something important about humanity: people are terrified of death, but also desperate to stay connected to those they lose. Nearly every creepy custom comes from the same place — fear, grief, love, or the hope that death is not truly the end. And that may be the creepiest thing of all.

Source: Some or all of the content was generated using an AI language model

Q & A: Eclipse

Q: Is it just a fantastic coincidence that the Moon is just the right size for a total eclipse?

 

A: The fact that the Moon appears to be just the right size to cover the Sun during a total solar eclipse is not merely a coincidence but rather a result of celestial geometry. It's a fascinating example of how the sizes and distances of objects in our solar system create these awe-inspiring astronomical events.

Angular Size and Distance:

1. Size of the Sun and Moon: The Sun is much larger than the Moon. In fact, the Sun's diameter is about 400 times larger than that of the Moon. However, the Sun is also about 400 times farther away from Earth than the Moon.

2. Angular Size: When we talk about the size of objects in the sky, we often refer to their angular size as seen from Earth. This is the angle they subtend in our field of view.

3. Apparent Size from Earth: Due to the Sun's larger size and greater distance, it appears to be almost the same size in the sky as the Moon. The Sun's angular diameter is about 0.5 degrees, while the Moon's is about 0.5 to 0.6 degrees, depending on its distance from Earth.

Total Solar Eclipses:

1. Alignment: A total solar eclipse occurs when the Moon passes directly between the Earth and the Sun, blocking out the Sun's light. For a brief moment, the Moon completely covers the Sun, casting a shadow on a small portion of the Earth's surface.

2. Path of Totality: The path of totality, where the Sun is completely covered, is relatively narrow. This is because the Moon's shadow on Earth is smaller than the Earth itself.

3. Corona and Totality: During totality, the Sun's corona, the outer atmosphere of the Sun, becomes visible. This is a stunning sight that can only be observed during a total solar eclipse.

Why Does the Moon Perfectly Cover the Sun?

The apparent sizes of the Sun and Moon being almost equal in our sky is not a coincidence but a result of their distances and sizes. The Moon's distance from Earth is not constant; it varies due to its elliptical orbit. When the Moon is closer to Earth (perigee), it appears slightly larger in our sky. When it is farther away (apogee), it appears slightly smaller.

So, while it may seem coincidental that the Moon perfectly covers the Sun during a total solar eclipse, it's more a result of the interplay between the sizes, distances, and orbits of these celestial bodies. If the Moon were significantly smaller or larger in our sky, we would not have the stunning phenomenon of a total solar eclipse where the Sun is perfectly obscured, revealing its beautiful corona.

In the grand cosmic dance of our solar system, the alignment of the Sun, Moon, and Earth during a total solar eclipse provides us with a spectacular display of nature's wonders, showcasing the precision and beauty of celestial mechanics.

Source: Some or all of the content was generated using an AI language model

Origins - "Saved by the bell"

The phrase “saved by the bell” is commonly used to mean someone escaping trouble or embarrassment at the last possible second 🔔

There’s a widespread myth that it came from people being buried alive. According to the story, a string was attached to a corpse’s hand inside the coffin, connected to a bell above ground. If the person woke up, they could ring the bell and be “saved by the bell.” It’s a creepy story — but historians and linguists say there’s no solid evidence this is the true origin.

The real origin is almost certainly from boxing 🥊

In 19th-century boxing matches, a bell signalled the end of a round. If a boxer was badly beaten and close to losing, the bell could interrupt the fight and give them a chance to recover. In that sense, they were literally “saved by the bell.”

The expression began appearing in print in the late 1800s in boxing-related contexts. Later, it spread into everyday English to describe any lucky interruption or last-second rescue.

The phrase also became hugely famous because of the TV show Saved by the Bell, which aired from 1989 to 1993 and followed a group of California high school students. Despite the title, the show itself didn’t create the expression — it borrowed an already well-known idiom.

Here are a few fun examples of how people use it today:

• “The teacher was about to ask me a question, but the fire alarm went off. Saved by the bell!”
• “I forgot my presentation, but the meeting got cancelled. Saved by the bell.”

Interestingly, many English idioms have false “dark history” explanations attached to them. “Saved by the bell,” “rule of thumb,” and “dead ringer” are all phrases surrounded by popular myths that sound dramatic but usually don’t hold up historically.

Source: Some or all of the content was generated using an AI language model

The Hollow Hunger Chapter 6 - We can't stay

They didn’t run right away.

That was the strange part that none of them understood later, even when they replayed it in their minds a hundred different ways. There should have been screaming, or chaos, or the instinctive break into opposite directions that usually comes when people realise something is hunting them.

Instead, there was a pause.

A shared hesitation, as if their bodies had briefly disagreed with reality and needed a moment to negotiate terms.

The thing across the street remained where it was, but “where it was” was becoming harder to define. The boarded-up grocery store behind it looked flatter now, like a photograph pressed too hard against glass.

Jared finally broke first. “We’re not staying here.”

Maya nodded immediately, too quickly. “Agreed.”

Evan didn’t move.

That made both of them look at him.

“What?” Maya snapped, panic sharpening her voice. “We leave. We leave now.”

Evan raised a hand slightly, not in refusal, but in caution. “It’s not following us like before.”

Jared let out a humourless laugh. “That’s supposed to make me feel better?”

“No,” Evan said. “It means it’s done with chasing.”

A long silence followed that. Even the distant traffic felt muted, as if the world had stepped back to observe them more carefully.

Maya’s voice dropped. “Then what is it doing?”

Evan looked back at the thing across the street. The air around it seemed to ripple, not like heat distortion, but like perception itself was struggling to remain consistent.

“It’s stopped separating us,” he said slowly. “Because it doesn’t need to anymore.”

That word again—need. It made Jared shift uneasily, like the concept had weight.

Maya shook her head. “You keep saying it like it has intentions. Like it thinks.”

Evan finally looked at her directly. “It does think. But not like us.”

The streetlight that had gone out earlier flickered once. Not back on—just a single pulse, like a heartbeat attempting to restart.

The thing across the street moved.

It wasn’t walking. It wasn’t gliding. It was more like the space between them and it decided to shorten itself.

Now it stood halfway across the road.

Jared took an involuntary step back. “Okay. That’s new.”

Maya grabbed his sleeve. “Don’t move!”

But it was already too late for subtle rules like that.

The entity—if it still made sense to call it that—shifted again. Now it was on their side of the street.

No sound. No impact. Just an updated version of reality where distance no longer insisted on being respected.

Evan exhaled slowly. “It’s mapping us.”

Jared stared at him. “That’s your takeaway?”

“It started by isolating,” Evan said. “Then it tested reactions. Then it observed what happens when we try to regroup. Every death… every disappearance… it’s refining the model.”

Maya’s face went pale. “A model of what?”

Evan didn’t answer immediately. His gaze stayed fixed on the thing that was now standing too close for comfort, too undefined for certainty.

“A model of how we break.”

That did it.

Jared finally turned and ran.

Not down a planned route. Not toward safety. Just away, instinct overriding everything else.

Maya followed half a second later, grabbing Evan’s arm and dragging him with her.

They ran.

But the world had started behaving like running was an outdated idea.

Street corners seemed slightly misaligned. The road felt longer in some places and shorter in others, as if distance was being edited in real time. Every time Evan blinked, the environment subtly rearranged itself, not enough to notice instantly—but enough that direction became unreliable.

Jared was ahead of them, but only sometimes. At moments he looked closer, at moments further away, like the concept of “ahead” was no longer stable.

Maya was breathing hard. “Where are we going?” she gasped.

Evan didn’t answer right away. Because he realised something that made his stomach tighten.

There was no longer a “where.”

Only a “toward” or “not yet.”

And behind them, without sound or urgency, something kept adjusting the space they had just left.

Not following.

Updating.

Then, as they turned a corner that may or may not have existed in that configuration before, Evan saw it clearly for the first time.

Not the entity itself.

Its effect.

The world ahead of them contained faint gaps—places where details hadn’t fully loaded. Lamp posts that weren’t quite straight. Buildings that hesitated before committing to their shape.

And in every gap, the same underlying certainty:

It had already been here.

It was just deciding how much of it they were allowed to perceive at once.

Maya stumbled slightly but kept running. “Evan!” she shouted. “What do we do?”

For the first time since this began, Evan didn’t have an answer.

Because whatever they were running through now…

was no longer a place trying to kill them.

It was a system trying to finish understanding them.

Source: Some or all of the content was generated using an AI language model

Sex on the big screen

In mainstream movies, actual sexual intercourse between actors is extremely rare due to various reasons, including legal, ethical, and practical considerations. The vast majority of sex scenes in films are simulated using various techniques such as camera angles, body doubles, and special effects. However, there have been a few instances where actors have engaged in unsimulated sex for the sake of realism or artistic expression. Here are a couple of notable examples:

"The Brown Bunny" (2003)

Directed by Vincent Gallo, "The Brown Bunny" gained notoriety for its explicit content, including a real oral sex scene between actors Vincent Gallo and Chloë Sevigny. The scene sparked controversy and divided critics, with some praising the film's artistic merits and others criticizing it for its explicit nature.

"Love" (2015)

Directed by Gaspar Noé, "Love" is known for its explicit and unsimulated sex scenes. The film tells the story of a passionate love affair between two young people, portrayed by actors Karl Glusman and Aomi Muyock. The sex scenes were filmed using body doubles for some shots, but Glusman and Muyock did engage in real sex for certain scenes.

"Nymphomaniac" (2013)

Directed by Lars von Trier, "Nymphomaniac" features scenes of explicit sexual content, including unsimulated sex. Actors such as Charlotte Gainsbourg, Shia LaBeouf, Stellan Skarsgård, and others were involved in these scenes. The film explores the life of a woman recounting her erotic experiences.

"Shortbus" (2006)

Directed by John Cameron Mitchell, "Shortbus" is known for its frank depiction of sexuality. The film features real sex scenes involving its cast members, who were chosen based on their comfort with sexual content. The story revolves around a diverse group of characters in New York City exploring their relationships and sexuality.

"Antichrist" (2009)

Another film directed by Lars von Trier, "Antichrist" includes explicit and controversial scenes, including unsimulated sex between actors Charlotte Gainsbourg and Willem Dafoe. The film tells the story of a couple dealing with grief and psychological turmoil.

Legal and Ethical Considerations:

When actors engage in unsimulated sex for a film, it often involves careful negotiation, informed consent, and legal agreements to protect the performers. These scenes are usually handled with the utmost sensitivity and respect for the actors involved.

In most mainstream films, however, simulated sex scenes using body doubles, clever camera work, and realistic acting remain the norm. The above examples are exceptions rather than the rule, and they often attract attention due to their controversial nature or artistic intent.

Source: Some or all of the content was generated using an AI language model

Space on a plane

If you purchase an entire row of seats on a flight, the airline typically will not resell those seats to other passengers without your permission. When you buy a seat, you are essentially buying the right to use that seat for the duration of the flight. This includes the right to have the seats next to you empty if you choose to do so.

Here's what you can generally expect:

1. Privacy and Space: By purchasing all the seats in a row, you are ensuring that you have privacy and extra space during your flight. The airline should respect this arrangement and not assign those seats to other passengers.

2. Seat Blocking Policies: Some airlines have specific policies regarding seat blocking. For example, during the COVID-19 pandemic, many airlines implemented seat blocking to allow for physical distancing. In such cases, they might have policies in place that allow passengers to purchase adjacent seats to ensure extra space.

3. Your Rights as a Purchaser: As the purchaser of the seats, you have the right to decide how you use them. This includes keeping them empty, using them for personal belongings, or simply having the extra space to stretch out.

4. Confirmation with Airline: To ensure that the seats remain empty, it might be a good idea to confirm with the airline after purchasing. This can help avoid any misunderstandings or errors in seat assignments.

5. Other Passengers and Reclining Seats: Keep in mind that even if you have the entire row, other passengers on the flight might still recline their seats, which could affect your space.

6. Emergency and Safety Regulations: In the unlikely event of an emergency or safety-related issue, airlines have the right to move passengers for operational reasons. However, this is rare and typically only occurs in specific circumstances.

Overall, airlines generally respect the seat assignments made by passengers. If you purchase an entire row of seats, it's reasonable to expect that those seats will remain empty for your use during the flight. It's always a good idea to confirm with the airline to ensure there are no surprises, especially if you have specific preferences or requirements for your seating arrangements.

Source: Some or all of the content was generated using an AI language model

An atom is 99.999999% empty...

...  If atoms are mostly empty space, why do objects look solid?

The idea that atoms are mostly empty space might seem counterintuitive, especially considering how solid and tangible objects appear to us. However, it's essential to understand that the perception of solid objects is a result of how atoms and molecules interact with each other.

Here's a breakdown of why objects appear solid despite being mostly empty space:

Atomic Structure:

1. Nucleus: At the centre of an atom, you have the nucleus, which contains protons and neutrons. These particles are tightly packed together and contribute to the atom's mass.

2. Electrons: Surrounding the nucleus are electrons, which orbit in specific energy levels or shells. These electrons are much smaller and lighter than protons and neutrons.

Mostly Empty Space:

1. Scale of Atoms: Atoms are incredibly small, with the nucleus being orders of magnitude smaller than the entire atom. If an atom were the size of a stadium, the nucleus would be like a tiny marble at the center.

2. Electron Cloud: Electrons, despite having a charge, are spread out in an "electron cloud" around the nucleus. This cloud represents the probability of finding an electron in a particular region of space.

Interactions of Atoms:

1. Electron Repulsion: When you bring two objects close together, the electrons in their atoms repel each other due to their negative charges. This repulsion is what gives objects a sense of solidity. You can't simply push your hand through a wall because the electrons in your hand and the wall's atoms are repelling each other.

2. Electromagnetic Forces: The electromagnetic forces between the negatively charged electrons and positively charged protons in neighbouring atoms also play a role. These forces create bonds between atoms, such as in molecules, which further contribute to an object's solidity.

3. Quantum Mechanics: At the atomic and subatomic levels, the rules of quantum mechanics govern behaviour. This means that particles can behave as both particles and waves, leading to phenomena like electron orbitals and the "fuzziness" of atomic structure.

Light and Perception:

1. Reflection and Absorption: When light strikes an object, it interacts with its atoms. The electrons in the atoms absorb and re-emit photons of light. This interaction gives us the perception of colour and texture.

2. Human Perception: Our eyes and brain are tuned to interpret these interactions in a way that makes sense to us. So, even though objects are mostly empty space, our perception is of something solid because of the way light interacts with atoms, and how atoms interact with each other.

In essence, the solidity of objects is a macroscopic effect that emerges from the interactions of atoms and their constituents. While atoms themselves are mostly empty space, the forces between them and the way they interact with light create the appearance of solidity and tangibility that we experience in our everyday lives.

Source: Some or all of the content was generated using an AI language model