Richard Natale,Variety
Burt Reynolds, one of Hollywood’s most popular leading men during the ’70s and early ’80s via such films as “Deliverance,” “Smokey and the Bandit, “The Longest Yard” and “Semi-Tough,” has died. His rep confirmed that he died Thursday in Jupiter, Fla. He was 82.
Reynolds’ appeal lay in his post-modern macho posture undercut by a wry self-awareness, which he used to good effect in comedies as well as action films. For a period during the ’70s he was the nation’s top box office draw. But after one too many bad movies, his popularity waned. He returned to television, where he’d gotten his start, mostly in Westerns, and produced his own sitcom, “Evening Shade,” which brought him an Emmy.
He later earned an Oscar nomination as best supporting actor in Paul Thomas Anderson’s ode to skin flicks, “Boogie Nights.”
In his colorful career Reynolds secured more than his share of both good and bad press. He could be affable with the media but at times downright hostile.
In the early 1970s, Reynolds was a veteran of TV and film who spurred the curiosity of Hollywood producers through his amusing appearances on latenight talkshows, as well as the hyped publicity stunt of appearing as the first celebrity male-nude centerfold in a 1972 issue of Cosmopolitan. He was thus cast in his first A-title role, in John Boorman’s “Deliverance,” one of the most popular and well received films of 1972 (several major actors, including Marlon Brando, had turned the role down before it was offered to Reynolds). The same year Woody Allen cast him in a small comedic role in his film “Everything You Always Wanted to Know About Sex.”
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Burt Reynolds, one of Hollywood’s most popular leading men during the ’70s and early ’80s via such films as “Deliverance,” “Smokey and the Bandit, “The Longest Yard” and “Semi-Tough,” has died. His rep confirmed that he died Thursday in Jupiter, Fla. He was 82.
Reynolds’ appeal lay in his post-modern macho posture undercut by a wry self-awareness, which he used to good effect in comedies as well as action films. For a period during the ’70s he was the nation’s top box office draw. But after one too many bad movies, his popularity waned. He returned to television, where he’d gotten his start, mostly in Westerns, and produced his own sitcom, “Evening Shade,” which brought him an Emmy.
He later earned an Oscar nomination as best supporting actor in Paul Thomas Anderson’s ode to skin flicks, “Boogie Nights.”
In his colorful career Reynolds secured more than his share of both good and bad press. He could be affable with the media but at times downright hostile.
In the early 1970s, Reynolds was a veteran of TV and film who spurred the curiosity of Hollywood producers through his amusing appearances on latenight talkshows, as well as the hyped publicity stunt of appearing as the first celebrity male-nude centerfold in a 1972 issue of Cosmopolitan. He was thus cast in his first A-title role, in John Boorman’s “Deliverance,” one of the most popular and well received films of 1972 (several major actors, including Marlon Brando, had turned the role down before it was offered to Reynolds). The same year Woody Allen cast him in a small comedic role in his film “Everything You Always Wanted to Know About Sex.”
more at Yahoo.com

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