The 411 - "Black Betty"

"Black Betty" is a 20th century African-American work song often credited to Huddie "Lead Belly" Ledbetter as the author, though the earliest recordings are not by him. Some sources claim it is one of Lead Belly's many adaptations of earlier folk material; in this case an 18th century marching cadence about a flint-lock rifle. The song was first recorded in the field by U.S. musicologists John and Alan Lomax in 1933, performed a capella by the convict James Baker (also known as Iron Head) and a group at Central State Farm, Sugar Land, Texas.

The Lomaxes were recording for the Library of Congress and later field recordings in 1934, 1936 and 1939 also include versions of "Black Betty". It was recorded commercially in New York in 1939 by blues artist Lead Belly, as part of a medley with two other work songs: "Looky Looky Yonder" and "Yellow Woman's Doorbells". Lead Belly had a long association with the Lomaxes, and had himself served time in State prison farms.

  While Leadbelly's 1939 recording was also performed a capella, most subsequent versions added a guitar accompaniment. These include folk-style recordings in 1964 by Odetta, Harry Belafonte, and Alan Lomax himself. In 1976 a Cincinnati band, Starstruck, recorded a rock version of the song on the Truckstar label which had little success. In 1977, the rock band Ram Jam — whose members included Bill Bartlett, formerly of Starstruck — rerecorded the song with producers Jerry Kasenatz and Jeff Katz under Epic Records. The song became an instant hit with listeners, as it reached number 18 on the singles charts in the United States and the top ten in Australia. At the same time, the lyrics became the cause of a boycott by civil rights groups NAACP and Congress of Racial Equality, who claimed it insulted black women.

  1990 Dance remixes of Ram Jam's version made the top twenty of the US dance charts and top thirty in Australia. Other notable artists such as Nick Cave (1986) and Tom Jones (2002) have covered the song. Australian band Spiderbait released a version of the song in 2004 on their Tonight Alright album (Interscope Records), which reached #1 on the ARIA Singles Chart in Australia May 2004 and stayed there for three weeks. This version was later accredited double platinum in Australia and was the third best selling single of 2004.

In 2006 the University of New Hampshire administration controversially banned the playing of Ram Jam's Black Betty at UNH Hockey games. UNH Athletic Director Marty Scarano explained the reason for the decision: "UNH is not going to stand for something that insults any segment of society".

  The origin and meaning of the lyrics are subject to debate. Some sources claim the song is derived from an 18th century marching cadence about a flint-lock rifle with a black head-stock; the "bam-ba-lam" lyric referring to the sound of the gunfire. Soldiers in the field were said to be "hugging Black Betty". In this interpretation, the rifle was superseded by its "child", a rifle known as a "Brown Bess".

In Lead Belly's version of the song, Black Betty is characterized as a woman with a child:

Woah, Black Betty
bam-ba-lam
Woah, Black Betty
bam-ba-lam

Black Betty had a baby
bam-ba-lam
Black Betty had a baby
bam-ba-lam

Damn thing gone crazy
bam-ba-lam
Damn thing gone crazy
bam-ba-lam

In an interview (see The Land Where the Blues Began, 1st Edition, Alan Lomax, Pantheon Books, 1993) conducted by Alan Lomax with a former prisoner of the Texas penal farm named Doc Reese (aka "Big Head"), Reese stated that the term "Black Betty" was used by prisoners to refer to the "Black Maria" -- the penetentiary transfer wagon. Below is a song in which the term "Black Betty", used to refer to the wagon, appears in the context of a prison work song.

Black Betty's in the bottom,
I can hear her roar,
She's bringing some po sucker,
With an achin soul.

She'll bring you here and leave you,
Let your hammer ring,
For a hundred summers,
Let your hammer ring.

(and now we hear the most familiar part of the song)

Black Betty's got a baby,
Let your hammer ring,
Damn thing's gone crazy,
Let your hammer ring,
Dipped its head in gravy,
Let your hammer ring.

In this interpretation, Black Betty's baby may be the prisoner himself, who has by his own admission "gone crazy" -- seeing as it was "Black Betty" who delivered the prisoners into the prison world ("She's bringing some po sucker"). In the lyrics above, the phrase "Let your hammer ring" is used repeatedly. In this case, the "hammer" refers to the hoes used by prisoners to break up the ground in the cotton fields. The song itself was used to keep a steady rhythm among the workers as they toiled in the field. It had the added benefit of helping the time go by faster through collective participation.

Many early blues and proto-blues songs follow the theme that all the wickedness of man (Adam) is the result of a woman (Eve). A number of early artists sang of how they got mixed up with a woman and ended up in prison as a result. As such, the characterization of the prison wagon as a woman is not unprecedented.

  Other sources [attribution needed] claim the term was a contemporary reference for a prostitute, a prison bullwhip, or the "paddywagon".

* New Japan professional wrestler Togi Makabe uses the Ram Jam version as his entrance music, as does American independent professional wrestler Adam Pearce.
* Boston Red Sox pitcher Mike Timlin uses the song when he comes out of the bullpen at home games.
* Texas Rangers' second baseman Ian Kinsler uses this song as his intro music when he comes up to bat.
* During his NHL career, Cam Neely reportedly would listen to this song once before every game as part of a supersitious ritual.
* Chicago White Sox' first baseman-outfielder Darin Erstad uses this song as his intro music when he comes up to bat.
* ABN Amro used the name Black Betty for their main boat which won the Volvo Ocean Race 05/06.
* The Kansas City Chiefs play "Black Betty" before every kick at home games at Arrowhead Stadium at the Truman Sports Complex.

*From Wikipedia, the free encyclopedia